The low-light footage shot at ISO 6,400 has noticeably less chroma noise than that from the Sony camera. It is a dual native ISO sensor in the GH5S and it shows. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. The next video is filmed on a Panasonic GH5s. If your photo subject moves around a whole lot you might want to skip this camera. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. So the GH5S is much more like the GH2. Panasonic GH5S vs Panasonic GH4 Comparison of Available Lenses Which camera has more lenses? It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. That larger sensor makes a difference to the field of view of your Micro Four Thirds glass too. Yes it is a shame to lose the stabilisation, but for shows like The Grand Tour on Amazon, they’ll have fewer vibration problems from the GH5s being used as a POV camera inside a car. 10.2Mp Micro Four Thirds compact system or mirrorless system camera that’s designed with videographers in mind In the comparison, you can see the GH5S low-light image quality speed ahead of the GH5 from that point. Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition? Physical ... With this technology the model shall be predestinated for video shooting in low light and high dynamic range situations. Technically, any camera can take a picture in complete darkness. Although you wouldn’t realise it from reading the specs online! Today we figure out how high you can actually take your ISO without losing color information and detail. The next video is filmed on a Panasonic GH5s. There is an obvious nonlinearity in the numbers. Panasonic Leica 200mm f/2.8 ($2,997): This Panasonic Leica 200mm f/2.8 is a big 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling.With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. One thing I do notice about the GH5S (although this is with version 0.2 firmware) was the noise reduction is a bit on the heavy side and the exposure seems a bit darker than the A7R III at the same ISO, shutter speed and aperture. This means the images might not look quite as sharp and detailed if you were to print them for a coffee table book, but the performance in low light will be much improved. A measure of Panasonic's confidence in the GH5S' low-light chops can be seen in its ISO range. As the Panasonic GH5s mirrorless camera, is the the slightly more expensive and more professional video orientated sibling of the GH5. That high ISO was welcome in the super dim rooms at the McKittrick, which were often so dark that other writers and vloggers pulled out their smartphone flashlights to help find their way around. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! Building on the Panasonic Lumix GH5, the GH5S … Panasonic touts their newly announced GH5S as the low-light king, and just like with the Sony a7S (and a7S II) the S stands for “sensitivity”. As you can see, the details of the scene really started to reveal themselves at the high ISO levels. Who wants a randomly creeping shadow in the corner? provides a crisp live view and high visibility even in sunny shooting conditions. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. Try not to under-expose these cameras in low light. I wish Panasonic would have added a few more features to the GH5S to distinguish between it and the GH5 out of the box, rather than just the new sensor, V-LOG and timecode in/out port. As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of … I might agree with you. Is the Panasonic GH5s worthy of all the hype? Panasonic claims it’s just as adept at capturing low-light video too. This is half the resolution of the 20.2-megapixel sensor in the GH5, but in return offers better performance in low light. You can go to the next slide after 1 second. It has a bright red record button that was a departure from the GH5, and its a lot lighter. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. This is something Panasonic should be making a bigger deal about and it means with a Metabones Speed Booster XL you are now getting a full frame 1.1x view of your Canon lenses… at least horizontally. Quick Conclusion. Was an archery instructor and a penguin trainer before that. Not only are the pixels nearly 2x larger than the GH5, the sensor is larger. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. Note: My camera is running firmware version 0.2! As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. Follow the explanation from LUMIX Ambassador Steven Clarey about Dual Native ISO and see, how the great Low Light sensitivity in LUMIX S1H and GH5S are achieved. Apple M1 crushes Intel – beats $6000 Mac Pro 2019 and 10 core Intel i9 MacBook Pro 16″, Down the rabbit hole – View the YouTube front page as others do, Shooter's Guides / LUTs / Colour Profiles. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a … That never used to be the case with the Sony cameras. It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. Small thing, but something I quite like. Add to that, if you like, a 1.5 stop Speed Booster to raise illumination even further. Let’s not mess about with snowflake ISO 1600 in this test. I’d choose the A7R III over the A7S II in a heartbeat. Camera maven Philip Bloom took the cameras to the street to settle the "low-light king" debate once and for all, bringing along a Sony a7R III, Sony a7S II, and Panasonic GH5s for his low-light test. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. The opportunity was specifically designed by Panasonic to show off the GH5S’s low light performance, and consequently, the venue was the dim McKittrick hotel which is also the site of a popular adaptation of Macbeth called Sleep No More. And these are just the unedited JPEGs! The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. August 2, 2017 by Hugh Brownstone. There is an obvious nonlinearity in the numbers. Sony FX6 is here, but will you still have a job to go with it? The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. The further you move from that ISO the noisier the image gets. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! The Sony A7R III has a 42MP sensor vs just 10MP for the GH5S which makes the similar low light performance in 4K video quite mind-bending. Best Telephoto Prime Lenses for Panasonic GH5S. The first model since that camera to go back to the oversized sensor, and a locked-down one at that. On top of that trade off, the GH5S features Panasonic’s dual-native ISO. 2. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. Quick Conclusion. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. The vertical sensor real-estate is less, especially in the narrower Cinema 4K aspect ratio of 1.78:1. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. It has a maximum ISO of 51,200 and Panasonic showed a demonstration of this at the meeting – it’s a very good camera in low light with realistic warm tones under artificial light. Now to ISO sensitivity. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. The Panasonic’s midtones especially are richer, less blown out, and the whole photo features less noise and better white balance. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. However, I added Luca’s NX-L speed booster to the Samsung to give it a leg up – it doesn’t compete with the others at ISO 6400 but if you take into account the exposure boost from the NX-L adapter, you can lower this to ISO 3200 and it’s much better… ISO 1600 is pretty good and ISO 800 is clean as a whistle. But last week, I got a chance to check out the GH5S’s low-light capabilities. But last week, I got a chance to check out the GH5S’s low-light capabilities. GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. It offers a range of 160 to 51200 ISO with extended values down to 80 and up to 204800 ISO. ISO. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. That might not make a big difference to pro shooters who will keep the camera attached to a tripod or gimbal, but it does impact handheld shooting. Meanwhile stills captured by the GH5S at the same sensitivity value and low light appeared to have better rendering of detail than in comparable images from the Fuji X-T2. So much so that when pushed all the way to the new maximum of 51,200 ISO, the Panasonic GH5Shas an image that appears cleaner than the previous Panasonic GH5max of 12,800 ISO. What Is the Biggest Scientific Fraud of the Past 50 Years? Sensor. TheCameraStoreTV YouTube channel, hosted by Chris Niccolis gives a look at what the GH5s can do in low light situations. GH5S Key Features: 10.2MP High Sensitivity MOS sensor for improved image quality in low light He chose to focus on the same scene with each camera set as close to the same settings as possible. To get this higher sensitivity, the camera’s sensor has a sensitivity switching circuit for each pixel. If I were Panasonic however, I’d have put a bit more differentiation between the two models. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5. The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. Really, they are quite similar for most people and I can’t see very many GH5 users getting rid of the camera so soon, losing IBIS in the process, for the more expensive GH5S. Priced to fail and shackled to Adobe – The Zeiss ZX1. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. The entire range, including the extended settings, is available for stills and video. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. If the performance changes when updated, I will re-do the test. At least 19mm I believe. The Nikon D850 is surprisingly a lot noisier than the A7R III despite having a very similarly specced sensor. Every digital camera has a native ISO where it operates optimally. Sony A7R3 users – THROW AWAY YOUR CANON LENSES! This is the kind of low-light prowess makes me want to grab this camera and take it everywhere, seeing just how often I can capture things in places I wouldn’t have dared to before. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. Of particular note it how easy you should be able to shoot in V-LOG, for better editing later on, and with in-camera anamorphic lens correction. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. blue: Didn't know age was a pre-disqualifier. If only that tech could trickle down to a less premium camera model. I’m reserving that for another article and test though. provides a crisp live view and high visibility even in sunny shooting conditions. It outperformed the full frame Sony A7R II easily in the split-screen at the same ISOs. Panasonic GH5S and GH5 side-by-side So I thought: before we put it up against the a7S II, I have to put it up against the original GH5. When viewed on a large monitor, it appears the GH5s begins to fall apart at ISO 6400. Harv’s review of EOSHD Pro Color V3 and a handy exposure guide, Nikon facing serious crisis in chipmaking – as well as camera business, Pro camcorder ergonomics are overdue a big change. So the GH5s is already ahead in low light situations, then consider if DoF is an issue the GH5s has and EXTRA 2 stop advantage and if DoF is not an issue, one can put a speed booster on the GH5s for a 1 1/3rd extra stop advantage (or use an F/1.8 zoom with an extra stop for a 2.3 stop advantage over FF zooms). Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. This eliminates the thud thud thud as you move the camera whilst it’s off, the sensor block stays put. Copyright © 2010-2020 EOSHD - Andrew Reid, The EOSHD 5D Mark III Raw Shooter’s Guide, The EOSHD Anamorphic Shooter’s Guide 2nd Edition, The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses. The flat profile is also very nice, grades well! Like. But my concern is if I can acceptably intercut the two cameras for the interviews. Back at CES, Panasonic announced a camera which is designed primarily to do one thing above all else: get the best possible low-light pictures and videos. A 12mm lens is no longer a 24mm equiv. 6400 ISO. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). Low-light sensitivity, that is. but practically a 21mm side-to-side. This gives you the first clue as to why 5 axis IBIS had to go away on this camera. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. Despite the overly-elaborate staging of the event, which felt too tightly controlled to reflect reality, I have to admit I was impressed by the photos the GH5S turned out. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. Feb 12, 2018 permalink. The Nintendo Switch Finally Enters 2020 With a Firmware Update Full of Necessities. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. Even ISO 3200 is so clean it is practically a Green party politician. The larger sensor is good to have too. But the GH5S is a little different, because has two native ISOs rather than just one. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators. The GH5S takes the low light performance to a new level for Micro Four Thirds. Hard to say. Better Low Light Performance As alluded to above, one of the most significant advantages with the new Panasonic GH5s is it’s low light capabilities. I also added the Nikon D850 and Samsung NX1 to the test video. Senior reporter at Gizmodo, formerly Tom's Guide and Laptop Mag. The $2,500 GH5S, unlike the $2,000 GH5, features a 10.2-MP micro four-thirds sensor that captures half the resolution of its more affordable sibling in return for increased ISO performance. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. I recently took delivery of a Panasonic GH5S. The GH5 features a 20MP Live Mos sensor which is currently the highest resolution you can … ISO 12,800 is perfectly usable now. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! “The Dual Native ISO Technology [with low range (400) and high range (2,500)] suppresses noise to produce cleaner footage when taken in all light. Does dual native ISO on the Panasonic S5 beat the Sony A7S III in low light? Hybrid Log Gamma is a nice user-friendly profile for grading and compatibility with HDR displays & YouTube. Comparing the GH5S directly to the A7S II isn’t really a fair fight, so I thought it’d be more interesting to see how close I could get to matching Sony’s low-light monster with any and all help I could find on the LensRentals shelf. Instead it still hunts around far too often for focus in video mode, albeit a bit faster than the GH5. While the A7R III is a hybrid camera for the masses, the GH5S is like a pro video camera in a hybrid form factor. Go to ISO 6400 and you do start to see some noise but it seems much cleaner in Hybrid Log Gamma mode. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. The biggest change in the GH5s is the new dual ISO 10.2-megapixel sensor. That is surprising as the GH5S is a full pixel readout in 10bit and the Sony is pixel binning in full frame 4K mode and cramming the result into an 8bit codec. How did Sony manage it? The mighty A7S II low light camera model barely displays any advantage at ISO 12,800 and can’t do Super 35mm mode in 4K due to the low megapixel count. Download the uncompressed version here. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. Panasonic says the new Lumix GH5S is an 'superior mirrorless camera for videography, designed and developed for professional filmmakers' and it will be available from the end of January 2018 with an RRP of &beat out;2199 / €2549.99 (body only). On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. While its Micro Four Thirds sensor’s 10.28 megapixels might seem underwhelming on paper, each of the pixels is physically large in order to capture … And I’m just scratching the surface of what the GH5S can really do. TheCameraStoreTV YouTube channel, hosted by Chris Niccolis gives a look at what the GH5s can do in low light situations. Panasonic GH5 Real World Autofocus and Low Light Test (Kind of) Tweet. Panasonic recently launched the new LUMIX GH5S camera, which is said to be the successor to the previous LUMIX GH5. The independent voice on cameras for filmmakers and photographers, by Andrew Reid. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. One advantage to going this route is the GH5s would do much better in low light--which will be a factor for some of the B-Roll. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The GH5 isn’t hard to best in low-light, so let’s bring out a more competent challenger. Both images from 16000ISO on would rather not be used for cinema projection. That’s because it’s missing the GH5's in-body camera stabilization. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. Hey Richard, thanks for the reply. liberty aint what you think. Sounds complicated? That means a 1.78x crop horizontally vs full frame, instead of the usual 2x crop of the GH5 (or 2.3x of older GH4 in 4K). Unfortunately, we couldn’t actually test the claims Panasonic made of it’s new GH5S until recently. Low light performance and better colour is a big focus of the GH5S. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. Both images from 16000ISO on would rather not be used for cinema projection. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. For reasons beyond my understanding the cast of the theater experience was on hand as models. Almost like having it set to native ISO. There's no question that the Panasonic GH5S is a video-centric mirrorless camera that specializes in shooting in low light, although tests reveal that still quality should be sufficient for many uses. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. “The LUMIX GH5S achieves highest-ever image sensitivity and video image quality in the history of LUMIX cameras, especially in low-light situations,” the company says. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. To achieve these rather impressive specifications (for a Micro Four Thirds camera), the camera uses a combination of a low megapixel count and Dual Native ISO, a technology Panasonic has already employed on a few professional camcorders (Varicam35 and AU-EVA1). They all seem to quote the sensor size as 17.3mm wide (same as the GH5) but this is for STILLS mode in 4:3 aspect ratio. I have a secret project planned for this camera and I am going to enjoy doing that, first though, I wanted to see if the GH5S fulfils pretty much it’s only obligation – the first ever Micro Four Thirds camera that is clean in extremely low light? For me the colour on this camera is closest to the Canon 1D C. The Sony and Panasonic need more of that digital edge taking off but they are good for when you want a more energetic, electrifying punch to low light shots. There are two things I noticed when I first picked up the GH5S. The 3.2-inch LCD monitor (1,620k-dot approx.) Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. The vignette of some of these lenses, especially wide angle, would shift around in the corners with the moving sensor during a recording, and might have been too tricky to correct digitally. 0. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. Some of the tree detail in the test shot isn’t coming out very well on the GH5S compared to the Sony. The noise reduction on the Sony is as good in full frame 4K as it is in Super 35mm mode (which benefits from 5K oversampling). One native ISO is set at 400, for use in well-lit environments, which then adjusts anywhere between ISO 160 and ISO 800. The GH5s has no problem filming low light video at 3200. The GH5s offers a normal range of 160 to 51200 ISO with extended values down to 80 and up to 204 800 ISO. Panasonic has also included its Dual Native ISO Technology to reduce the risk of background image noise in low-light conditions. Next, with the help of some actors from Sleep No More, I took a series of shots, starting at ISO 1600 and moving up one step at a time to see how the GH5S photos handled things. Panasonic says users can get up to ISO 51200 native with minimal noise, and up to ISO 204800 when extended ISO is use The weak point is autofocus. The 3.2-inch LCD monitor (1,620k-dot approx.) That said, for most people, the standard GH5 is likely a better buy, and I would like to spend some more time doing a real shoot off between it and something like Sony’s A7S II to figure out which camera really reigns supreme in low-light. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post).
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