In order to achieve the new recording options like Cinema 4K at 60 frames per second and the new low-light performance, Panasonic had to make some sacrifices. The combination of the new LUMIX GH5S with the Atomos Ninja Inferno 4K monitor / recorder offers multiple shooting solutions, expanding what is possible to do with the new video-centric camera from Panasonic. Startup time and general responsiveness tested about the same as the GH5, and the camera's high-speed continuous burst rate of up to 12fps is the same, too. Surprisingly clean high ISOs in the GH5S. Much like the GH5 before it, the Lumix GH5S sports twin SD card slots, compatible with higher-capacity SDHC and SDXC types, as well as higher-speed UHS-I, UHS-II and Video Speed Class 90 cards. This is also finally a Micro Four Thirds camera I’m not afraid to use at night. Time per shot, averaged over buffer length of 101 frames, then slows to an average of about 0.14s or 7.0 fps with a lot of variation. As befits a camera aimed at pros, no kit lenses or color options are offered. With a 12MP Four Thirds sensor, the GH5S is, yes, a camera that can take still photos, but it is designed for video. Today, outside of a dedicated cinema camera like an Alexa or a RED, you will find no better filmmaking tool than the GH5S. In all cases, raw buffer depth is 80 frames and JPEG buffer depths as deep as 600 frames when using a UHS-II U3 compliant flash card. 06/14/2018: Performance posted It looks really good, but you'll notice that there are some very deep shadows around the edges that, though for this scene look excellent, offer no real recovery options in post should we want to change that look during editing. Look at how good the quality is. The noise has been dramatically reduced, and overall the footage is significantly more usable. I wouldn't consider this "good" footage. Additionally, Panasonic removed in-body image stabilization in the GH5S, meaning if you want stabilization you'll have to rely on the lens. Sure, it's less saturated, but the size of the noise grain is much smaller than that of the GH5S, and overall the sharpness is better on the A7S II. During stills shooting, the Advanced DFD system is reliable, but being only contrast based is limiting. The image sensors used differ radically, with each camera focused on very different needs. Here Are Six Ideas, Introduction to Lens Mounts and Lens Adapters, 10 Tips to Improve Your Aviation Photography, © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. (And for video, ten megapixels is still plenty even to allow for capture of Cinema 4K footage, which has a resolution of just 8.3 megapixels.). And for the latter you can choose whether or not you want the GH5S to desqueeze the display (or if you prefer, squeeze it vertically as well) so that you can see the final result either for live view or playback. But the GH5S just looks...better. Whereas the EVA1 has Dual ISOs of 800/2500, a quick test of the GH5S shows it to use 400/2500 for its Dual ISOs. The GH5S is actually noticeably wider than the GH5 with the same lens, same camera settings, and same positioning. The GH5 is more of an all-around shooter for stills and video, and hence packs in plenty of resolution, the better to create great big, frameworthy prints. This trend continues up until neither camera is useful. If only that tech could trickle down to a less premium camera model. As we said earlier, there's certainly a lot to talk about on the video front. 12,800 is the max video ISO for the 1DX II, and same for the GH5. Finally, Panasonic has developed plenty of accessories for the GH5S, so let’s talk about the video-specific ones. The arrival of the GH5 really pushed the envelope for video on Micro Four Thirds, as it packed in a boatload of excellent video features, such as 4K 60p, 10-bit internal recording, high bitrates, as well as many video settings and options typically found in full-on video cameras. In contrast, the GH5S in the exact same situation at the exact same settings does considerably better. The GH5S also has a 4K burst mode which captures 8-megapixel frames at 60 frames per second with no apparent limit other than card capacity. I increased the ISO at each of its intervals, and I have to say, it's pretty impressive what this "little" sensor can see in the dark. The Panasonic GH5S retail package (as reviewed) contains the following items: Note: Given the more specialized, video-centric nature of the this camera and its lower-res sensor, the GH5S did not undergo our full laboratory testing treatment for still images. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. It's straight up cheap. I personally have been waiting for the day that this would start happening at a point where anyone who wanted to, could take advantage of it. The GH5S just takes what was good, and makes it even better. In my experience, I’m not sure I would rely on it 100% for tracking myself during a vlog, for instance. Otherwise, below are some comparisons between the two cameras (Click images to see them at full resolution). Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Like. If you want 10-bit 4:2:2 footage, you'll need to stay at rates of 30 fps or below. For the best idea of how they performed against one another, I recommend watching the video above. The idea of improving on excellent is the angle that Panasonic took when they showed us the newly announced GH5S. I've never been more proud of the work I've created, and I've never been so giddy to push a camera beyond what I once thought as limits only to find that those limits were only barriers put up by what I thought were great cameras before it. The GH5 is doing its best to widen its dynamic range with VLog, but the sensor is having a hard time doing so without some serious noise. However, when it comes to video, the GH5S produces fantastic video quality, especially as you climb into the higher ISOs. The uncommonly low-resolution sensor here allows for a really large individual pixel size, which makes for much improved low-light and high ISO performance. Like its sibling, the GH5S allow you to extract high-res 8.3-megapixel stills from 4K videos in what it terms "4K Photo" mode, and you can expect far less rolling shutter in these, too. The footage produced at its max ISO was and continues to be completely acceptable and usable. The result is a digital imager that can "faithfully reproduce even the dark parts of the image," with a new ISO range of 80 through 204,800. The Panasonic GH5S is Still Among the ... Sigma Launches “I Series” with New 24mm, 35mm, and 65mm Mirrorless Lenses, Olympus Releases Lightweight Super-Telephoto Zoom Lens, ZEISS Adds to Premier Binocular Lineup with Impressive Victory SF 32, Hands-On with the Sigma 105mm f/2.8 DG DN Macro Art Lens, What to Do With Your Old Camera? The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. Output from its sensor is handled by a powerful Venus Engine 10 image processor, and the GH5S is capable of a swift 12 frames per second with single AF or 8 fps with continuous AF when shooting 12-bit raw files. Buffer depths, especially with JPEGs, are fantastic -- as we would expect given the small 10MP images. 10MP resolution is limiting for still photos; No in-body image stabilization; Slower AF than GH5; Buffer clearing could be faster; No 6K Photo features due to sensor resolution. And while the AF speed is slightly slower than the GH5, and the lack of in-body image stabilization removes some of what made the GH5 so versatile, the GH5S offers such a wealth of features and high-quality video, that it's easy to overlook these minor points. With 14-bit raws, both figures drop by one frame per second. That's a noticeable difference of 2.3 ounces (65g) or almost ten percent, and it hints at a feature subtraction which we'll come back to in just a moment. The camera can record at an internal 400 MBPS All-Intra format out of the box, which the GH5 was able to do only after a firmware update last fall. The GH5S appears to want to be considered as such, so it is only fair to compare to the only camera that has been hailed as king of that segment since its inception: the Sony A7S II. The native ISO of a camera is the ISO at which the analog signal is converted to a digital signal without being amplified. Deal. Side by side with the GH5, it's better in nearly every way. And part of me thinks that's a good thing, and the other part of me thinks that's a missed opportunity. You can see above that at 4Kp60, both clips are very clean and look quite good. That's not to say the GH5S is bad. With the exception of the original, the Panasonic G1, all Lumix MFT cameras have also shot video to some extent. This is the feature that tells everyone exactly who this camera is targeting—filmmakers, if you still didn’t catch it. The mix and breadth of what the GH5S can accomplish is even more outstanding given the $2500 price point. Still, the GH5 was designed as a hybrid camera, one that's made for photographers and videographers alike. Even when you do, the GH5S will still do many tasks better than those high-end cameras. I found that the GH5S is no longer performing at a "usable" level at ISO 51200, and the A7S II is no longer good enough at 102400. (No built-in or bundled flash.). The Panasonic GH5S' autofocus speed was pretty good in our tests, especially for a camera that uses contrast detection only, though not quite as fast as the GH5's. The GH5 starts to become quite noisy at ISO 3200, so backing down to ISO 1600 seems like the maximum point to reach.. Up steps the video-optimized GH5s with a nice party trick – Dual Native ISO. First found in the GH5, the GH5S just makes it all better. It also plays a part in heat dissipation, an issue we have seen on ultra-compact cameras. It works as a great camera alone, and even better when paired alongside the GH5. 04/02/2018: Gallery Images posted With both cameras in your arsenal, there will be few situations you can't beautifully capture. There is no perfect capture device. “As a camera that excels in shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. What is rare, however, is talking about one with reverence. I like the new layout, which shows different options in a paginated format and organized by likeness. But at the same time, it'll perform much better than its higher-res twin when shooting video or in low ambient light levels. Imagine the audio equipment I could get for that. You bought the GH5S because of its video prowess. I don't care what size the sensor it is. I think that if you are looking to buy a mirrorless solely for its video prowess, it’ll be hard to not include the GH5S on your list. #0907905; Sec. The GH5S is the first Panasonic Micro Four Thirds camera to offer 14-bit RAW files (GH5 RAW files are 12 bits), and it slightly exceeded their 11fps spec when shooting 14-bit files in the lab. Here's the thing: The A7S II does have less noise in low light, but even then, I'd rather use the GH5s (to a point). I can recall just a few from my past that represent more than just a tool, but an extension of me as an artist. The GH5S is also slightly slower to focus than the GH5, though not to a significant degree. You can see a great benefit in stills across the board, making it a little unfortunate that we lose some of that resolution. But if you opt instead for the GH5S, you will find that its much broader sensitivity range and lower noise levels allow you to use a higher sensitivity to achieve a faster shutter speed in the first place, so perhaps stabilization won't be needed as often. The entire range, including the extended settings, is available for stills and video. Everything is easy to find and easy to use. Wireless connectivity options, as in the GH5, include Wi-Fi and Bluetooth radios, but not NFC for easy Android pairing. Clean performance at 12,800 is already extremely impressive, but what about at even higher ISOs? I would not recommend using the ISO that high unless all you care about is capturing a scene, not capturing a scene well. I've shot with it professionally twice now and used it in testing environments more than a dozen times, and the soul of this camera has gripped me since the first time I looked at the footage it produced. Double the battery life, simple as that. Each photodiode has grown in size by around 1.96 times, and according to Panasonic that change translates to a 1.5-stop (9.7dB) improvement in the signal-to-noise ratio. Throughout the history of Panasonic's Micro Four Thirds Lumix cameras, they all have, by and large, been photography-centric cameras. And not just a little, but a lot? That's right. Every digital camera has a native ISO. Joe, a couple of interesting things in that video. 4K / 8K Arising: Panasonic today release their new GH5S mirrorless camera with amazing low light capabilities. 3. The lower resolution does mean that you won’t get the potential benefits of down-sampling (namely sharper images); however, the images seemed quite sharp and lacked any issues, such as aliasing or moiré. The email address you entered was an invalid email. Available since February 2018, the Panasonic GH5S is priced at around US$2,500 body-only in the US market. Overall, despite looking like a tried-and-true Lumix Micro Four Thirds camera, the GH5S is a unique, specialized camera; Panasonic's most specialized Micro Four Thirds camera yet. Instead, the camera simply crops to your chosen aspect ratio within the image circle, and discards the rest of the sensor data. All other standard return policy conditions apply. Helpfully, you can also frame in near-total darkness with the live boost function, which reduces live view frame rate and boosts sensitivity levels for a better view of dimly-lit scenes. And you know what? Serv. And needless to say, the Panasonic GH5S is yet another worthy addition to our list of Dave's Picks. You can however take additional photos and adjust settings while the buffer is clearing. And although the autofocus speed is slightly slower and the lack of body-based image stabilization removes some of what made the GH5 so versatile, the GH5S offers such a wealth of features and high quality video that it's easy to overlook these minor points. Buffer clearing can be sluggish, though, even with a very fast 2000x UHS-II card, ranging from only 2.1 seconds after a long burst of JPEGs to over 21 seconds after a long burst of RAW+JPEG files. The Panasonic GH5s will definitely do better in low light. Bigger megapixels take in more light, and more light means less gain is needed to bump up exposure. The Panasonic GH5S is a spectacular filmmaking device that, I think, checks nearly every box. : Elec. 10-bit recording is a revolutionary feature for video in mirrorless cameras. But that doesn't mean it can't be one of the best filmmaking cameras ever made.
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